Have you ever wondered how history can be taught in a way that resonates across cultures and languages? Welcome to the world of "Hi-Story Lessons," an innovative educational platform designed to bring an international perspective to history teaching in Europe. Launched in 2015, this dynamic website has evolved significantly, enhancing its resources and user experience. In this interview, we join Urszula Bijoś and Maria Naimska as they share the journey behind Hi-Story Lessons
UB: Hi-Story is an educational platform designed for teachers and individuals involved in both formal and informal education, including trainers, educators at memorial sites, and local council members. It operates in six languages: English, Polish, German, Slovak, Hungarian, and Romanian. On the platform, educators can find resources that simplify their teaching experience, including ready-to-use materials, animations, photo galleries, and lesson plans organised into eight chronological categories, covering periods from pre-World War I to the end of the Cold War in 1991. Additionally, we offer two methodological categories focused on various teaching methods and educational materials aimed at combating disinformation.
MN: We had been contemplating the creation of an educational portal for some time, and the opportunity to implement this idea arose in 2015. We began discussing the platform's design, its target audience, and the content it should include—essentially the project's guiding goals. From the outset, we recognised its primary audience as schools, intending for both students and teachers to use it. We started by gathering key historical events from the timelines of the involved countries: Poland, Germany, Slovakia, Romania, Hungary, and the Czech Republic. We invited historians and educators from these countries to collaborate, tasking each national group with selecting 30 events from the 20th century that significantly shaped their country's history. Additionally, we chose 30 international events that connected these national histories, resulting in a shared timeline of 210 events.
As new funding sources became available, we aimed to enhance this foundation with infographics and animations. Deciding on which events to start with proved challenging, so we first asked historians and teachers to write concise texts about each topic, limited to two pages to provide introductory insights for students. Our first animation was a ten-minute film about World War I, produced in seven languages. It has garnered around one million views, making it the second most-watched animation on this topic, following the BBC's production. We subsequently created animations on the Russian Revolution, the Great Depression of 1929, and the Marshall Plan, focusing on complex subjects often presented dryly in textbooks, especially economic issues, which typically lack visual materials.
Next, we produced infographics for classroom use. Collaborating with the Museum of the Warsaw Uprising and the Jewish Historical Museum, we created the first infographic covering the Ghetto Uprising of 1943 and the Warsaw Uprising of 1945—this marked the first collaboration between these institutions. Our aim was to develop materials enabling students and teachers across Europe to differentiate between the two uprisings. We later created infographics about the peace conferences in Tehran, Yalta, and Potsdam, and on World War II. I am particularly proud of the World War II infographic, which effectively illustrates the shifting fronts during the conflict, helping to clarify many of its nuances. My last projects included an animation about the collapse of the Soviet Union and resources aimed at students regarding the use of free licences. In 2021, our Strategy Department produced a set of materials focused on disinformation, especially relevant at the time due to Russian propaganda and Vladimir Putin's article in The National Interest on the 75th anniversary of the end of World War II. The ENRS responded by publishing articles, lesson plans, and worksheets addressing disinformation from the Russian Federation and its tools, including deepfakes, information bubbles, and information warfare on Twitter.
UB: When I took over Hi-Story from Maria in 2022, I valued the platform's professional and useful content, developed over the years by the coordinator, the ENRS team, and exceptional specialists—teachers, educators, and historians. My responsibility was to reshape the platform and facilitate its further development. I focused on designing a concept aligned with the ENRS strategy and our grant providers' goals, enriching educational content, and coordinating the development of new materials. As the Hi-story team we envision creating a community where teachers can share their ideas and the materials they have developed, including worksheets, videos, and lesson plans. Hence why, simultaneously, I aimed to expand the community around the platform, particularly the group of engaged teachers. In the webinar series "Materials and Methods for Teaching History," I took on the task of finding speakers. Webinars provide a unique format, and I aimed for them to be interesting and innovative to encourage teacher participation, site visits, and engagement with associated events.
From what perspective are the materials on the platform written, and can they be adapted to the curricula of individual countries?
UB: Our materials were not designed to fit individual national curricula for two primary reasons: curricula change frequently, and our materials present the histories of multiple countries. Teachers are well aware of their specific needs. Using our platform, they can select only the graphic materials, graphs, maps, or text excerpts they require. Our goal is to highlight historical aspects often overlooked in textbooks. For example, we cover topics like the Holodomor, the Great Famine in Ukraine from 1932-33, and the history of the Roma and Sinti peoples. These subjects may not be included in national curricula, but we believe they are crucial and worthy of discussion as part of our effort to promote lesser-known topics in 20th-century history.
MN: Hi-Story's mission is to present different perspectives. For instance, when developing a text about the history of one country, ideally the team from the neighbour country would also create a corresponding text. Often, these events intersect. Dates are indisputable facts; however, facts can be interpreted in various ways.
Hi-Story operates in a constantly evolving virtual environment. How do you assess its technological evolution?
MN: Initially, we created materials for the platform as static timelines that could be printed. Each sheet represented a decade, allowing users to print timelines for one country and juxtapose them on a board to visualise concurrent historical events. This approach leaned more towards offline resources, with an additional blank page for users to add their own events. The classroom activity was designed to encourage students to identify what they believed was missing.
I also remember when we decided to create an online version of these infographics, launching them in all languages simultaneously. That was back in 2016, and although the infographic was visually appealing, we lacked the necessary technological capabilities at that time.
UB: The pace of technological advancement is so rapid that to keep up, we would need a dedicated department focused on ensuring our materials remain innovative in both content and format. Additionally, we must comply with WCAG (Web Content Accessibility Guidelines) standards, meaning that as we add more visual layers, accessibility becomes a concern.
The revamped version of the platform serves as a repository for teachers, enabling them to quickly locate chronologically organised materials in their preferred language. To inform this redesign, we conducted a focus study at the end of last year, which included a survey completed by a hundred individuals and in-depth interviews with some of our target audience. We learned what teachers need, and their feedback directly influenced the site's redevelopment. Respondents value Hi-Story for addressing topics such as totalitarianism and the distinctions between totalitarian regimes and democratic systems. They praise the high-quality animations, along with the graphic materials and lesson plans, which they can download for classroom use. Notably, teachers expressed a desire for more PowerPoint presentations featuring a simple format of one image accompanied by one caption, as this format is effective in a school context. They also indicated that their primary goal is to foster critical thinking skills in their students, which has shown us in which direction to follow.
What is the reality of managing a platform like this? What have been and continue to be your biggest challenges?
MN: The most significant challenge was reconciling the content created by various contributors. All materials underwent consultations with other experts, and revisions were a constant part of the process. This often required mediating discussions between authors who were attached to their texts and those who proposed expansions, modifications, or removals. Once a compromise was reached and the text was ready, we moved on to the storyboarding stage. At this point, we had to decide what information would be included in the animations and infographics, how it should be visually represented, and what would be narrated. This process was time-consuming and demanded meticulous attention to detail; for instance, we had to ensure that a cap from World War II was accurately depicted and that maps were appropriate. Maps, in particular, presented a challenge. Completing each animation and infographic felt like a small happy-ending.
Looking ahead, what challenges do you foresee for the platform?
UB: The primary challenges are educational, affecting schooling throughout Europe, such as the length of texts and the volume of written content our audience can absorb. Whether it’s slides or interactive mind maps, information is still presented in textual form. We aim to provide contextualised historical knowledge, highlighting nuances and complexities—acknowledging that “this happened, but it was also different, and it didn’t affect everyone, and this point is worth mentioning,” while simultaneously covering the histories of multiple countries. This inevitably results in extensive written content, whether in a Word document or another format. Regardless of how we present the information, the author's intent remains paramount. Another challenge is the rapidly changing technological landscape and the integration of AI, which requires institutions and audiences to adapt for effective utilisation. Also, increasing political polarisation in Europe complicates our ability to agree on a shared history. Each of us is shaped by our educational systems and national historiography. While our team values its international composition and diverse perspectives, this diversity can create challenges at the educational level. Even when we create comparative content across five countries, it remains uncertain whether, for example, a teacher from Hungary is interested in the Polish perspective.
Additionally, there’s a misconception that if something is available online, it can be accessed by anyone worldwide. In reality, our content reaches only a small audience. Therefore, we strive not to get overwhelmed by this scale, avoiding the assumption that if something is online, it’s universally accessible. The internet is already saturated with webinars, meetings, and materials, making it challenging to effectively reach our audience without significant financial investment in promotion.
Urszula, what is your dream for Hi-Story?
UB: Hi-story Lessons is designed and updated by a large team of content creators, researchers, communication specialists, and my colleagues from ENRS, who consistently help us test and discuss new solutions. My goal is to continue this collaborative approach by inviting diverse perspectives. So far, we haven't organised in-person events for teachers, and I would like to create a summer school or seminar. Currently, we are planning to establish a small working group of teachers who can provide valuable feedback on our materials. Additionally, I would like to form a team of five coordinators from five ENRS countries, who would meet monthly to brainstorm about the materials needed and to share the perspectives of these nations.
Maria, you handed Hi-Story over to Ula two years ago. How does it feel to look at Hi-Story from a distance?
MN: Yes, I did, and I parted with a heavy heart. However, since I began coordinating the European Remembrance Symposium, I no longer had the capacity to manage such a large initiative like Hi-Story. I wish Urszula all the best with the platform.
I believe that Hi-Story is fundamentally about accountability. Anything you do with children carries immense responsibility. What they learn now will impact their perspectives in 20 or 30 years, influencing how they interpret history and engage with the world. When we established the platform, our goal was to support open educational resources. As a public institution, all our materials are free and of exceptional quality. It is crucial to broaden the repository and to show teachers how to access these resources.
Urszula Bijoś joined the ENRS team in 2022 to coordinate educational projects. She studied History at the University of Warsaw, specialising in the popularisation of history with elements of journalism. For many years, she worked at the non-governmental organisation, the Centre for Civic Education, where she managed projects for teachers. She completed a trainer’s course, developed educational materials, and organised summer schools and educational workshops.
Maria Naimska holds a B.A. in Mediterranean Studies and an M.A. in Political Studies from the University of Warsaw. With an interest in web design solutions, she also completed a postgraduate programme in databases and their applications at the Polish-Japanese Academy of Information Technology. Prior to joining the ENRS in 2014, she was involved in several digital and educational projects across various fields. Since 2019 Maria coordinates the European Remembrance Symposium.